In 1970, Frutiger was asked to design signage at the new Charles de Gaulle Airport in the Roissy suburb of Paris. [7], Frutiger spent most of his professional career working in Paris and living in France, returning to Switzerland later in life. Brancher. Citation Frutiger, Adrian, Index entry in: Deutsche Biographie, https://www.deutsche-biographie.de/pnd118693891.html [24.01.2021]. [35] He created a Univers font variation — a set of capitals and numbers specifically for white-on-dark-blue backgrounds in poor light. [15][16][17], In an interview, Frutiger described himself as a Calvinist. Jahrhunderts geboren. Upload a photo to scan for similar type Scanning file — please wait. 1971-1972. BRANCHER. Adrian Frutiger - Wikipedia Adrian Frutiger (24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century... Identifont - Adrian Frutiger Adrian Frutiger was born in 1928 at Unterseen near Interlaken, Switzerland. Originally, the institute was named National Design Institute, however, the institute renamed itself to match Adrian Frutiger's stylized NID logotype alongside the name "National Institute of Design. Achetez neuf ou d'occasion Adrian Frutiger. Adrian Frutiger Biography . Adrian Frutiger Adrian Frutiger was born on May 24, 1928 and is a very famous Swiss typographer who has created more than 60 fonts in his career. Adrian Frutiger nació el 24 de marzo de 1928 en Unterseen, Suiza (fallece en Berlín el 12 de Septiembre de 2015). Druckform / Buchdruck [Bleisatzkolumne mit Devanagari-Lettern] Adrian Frutiger. 1960-1970. 20 Jahren Suizid. [7], Frutiger married Paulette Flückiger in 1952, who died in 1954 after the birth of their son Stéphane. In a complete reverse, his next design Westside was a wild-west themed slab serif, inspired by reverse-contrast French Clarendons of the late 19th century. After an apprenticeship as a compositor in Interlaken, he studied from 1949-51 at the Kunstgewerbeschule, Zurich. Seine auf Maschinenlesbarkeit optimierte OCR-B wurde 1973 zum ISO-Standard erhoben. Découvrez toutes les infos sur Adrian Frutiger, sa biographie, sa filmographie complète, son actualité. Une vie consacrée à l'écriture typographique. [21] It makes use of narrow wedge serifs, a style sometimes known as Latin which Frutiger would often use in his future serif designs. [Biografie Adrian Frutiger] Adrian Frutiger. In Interlaken absolviert er eine Schriftsetzer-Lehre bei der Firma Schäfli. Adrian Frutiger (24. května 1928 Unterseen, kanton Bern, Švýcarsko – 10. září 2015 Bremgarten bei Bern, Švýcarsko) byl švýcarský tvůrce písma, typograf a grafik, který výrazně ovlivnil směr typografie druhé poloviny 20. a počátku 21. století. Adrian Frutiger [ˈfruːtɪɡər] (* 24. Adrian Frutiger was born on May 24th, 1928, in Unterseen near Interlaken, Switzerland. Adrian Frutiger wird in der ersten Hälfte des 20. September 2015. Avenir Next LT Pro a été conçu par Adrian Frutiger and Akira Kobayashi. Suivent quelques année de collaboration au studio Hollenstein, où Albert crée une vingtaine de caractères exclusifs pour le nouveau catalogue de phototitrage Hollenstein. Il a pour missions de soutenir et de promouvoir la création contemporaine dans sa plus grande diversité, tant du point de vue des disciplines que des parcours professionnels. Adrian Frutiger died on 10 September 2015 in Bremgarten bei Bern at the age of 87.[52][53]. [7] The 1898 face, Akzidenz-Grotesk, is cited as the primary model. Frutiger war der Sohn eines Handwebers. This awakened in me the urge to develop the best possible legibility. My Adobe Fonts Jane Birkin amp Serge Gainsbourg la vie l amour Gala. Adrian Johann Frutiger was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. [46][47] Frutiger described the process of restoring Univers as a "personal gift. In ihrem Andenken gründeten die Eltern die Stiftung Fondation Adrian et Simone Frutiger, die neuropsychologische und neuropsychiatrische Forschung unterstützt.[9]. ): Christine Kopp, Christoph Frutiger (Hrsg. He was in poor health for some years. La France des années 1950 dans laquelle il naît connaît une période de renouveau typographique sous l'impulsion de personnalités comme Roger Excoffon ou Adrian Frutiger, sur fond de concurrence exacerbée entre les fonderies Olive et Deberny et Peignot. Jahrhunderts. Linotype launched a font series named Type Before Gutenberg in 1989 and in the 1990s, Frutiger released as part of it a series of designs inspired by pre-printing alphabets, such as Herculanum and Pompeijana, inspired by Roman brush lettering, Rusticana, inspired by capitalis rustica Roman carving. Adrian Frutiger was born on May 24 1928 in Unterseen in the Canton of Bern. 1943-1998. Biographie o. Adrian Frutiger. At the very young age, he began experimenting with stylized handwriting and invented scripts, defying the formal, cursive penmanship then taught at Swiss schools. Font Designer – Adrian Frutiger I first experienced the power of type to make the whole intellectual world readable with the same letters in the days of metal. Adrian Frutiger’s most popular book is Signs and Symbols: Their Design and Meaning. Erzählungen und Romane. [8] Die beiden Töchter aus dieser Ehe, Anne-Sylvie und Annik, begingen im Alter von 16 bzw. 1,927 likes. September 2015[1] in Bremgarten bei Bern[2][3]) war ein Schweizer Schriftgestalter. Empezó en 1944 su formación profesional, a los 16 años, en la escuela de Artes y Oficios de Zurich donde se dedicó al estudio y al diseño de la caligrafía.Al mismo tiempo completaba su formación trabajando como aprendiz en una imprenta llamada Otto Schaeffli. Atelier Frutiger + Pfäffli, Arcueil, FR. Frutiger, Adrian (1928-....) Affiner. Weitere Ideen zu typografie, typografische gestaltung, typografieposter. Prominent users of Frutiger's typefaces include: In 2003, the Swiss watchmaker Ventura commissioned him to design a new watch face for a limited-edition line of wristwatches. Noté /5. ): Friedl, Frederich, Nicholas Ott and Bernard Stein. Brancher. September 2015 in Bremgarten bei Bern ) war ein Schweizer Schriftgestalter. In 1952, he moved to Paris … Collaborating with Linotype designer Akira Kobayashi, Frutiger expanded the Avenir font family with light weights, heavy weights, and a condensed version that were released as the Avenir Next font. Adrian Frutiger's first commercial typeface was Président — a set of titling capital letters with small, bracketed serifs, released in 1954. Biographie de Adrian Frutiger - : découvrez sa filmographie, ses dernières news et photos. Adrian Frutiger im Klingspor-Museum – Auflistung und Abbildung aller Schriftschnitte durch Hans Reichardt, Schriften mit Weltruhm: Typograf Adrian Frutiger ist gestorben, typografie.info: Schriften auf Verkehrszeichen, Adrian Frutiger Dies at 87; His Type Designs Show You the Way, Fondation Adrian et Simone Frutiger – Historique, https://de.wikipedia.org/w/index.php?title=Adrian_Frutiger&oldid=207638165, „Creative Commons Attribution/Share Alike“. [73], Adrian Frutiger — Der Mann von Schwarz und Weiss, "Adrian Frutiger Dies at 87; His Type Designs Show You the Way", "Schweizer Typograf Adrian Frutiger ist tot", "Adrian Frutiger (24 May 1928 – 12 September 2015)", "Wedding announcement (collectables listing)", Friedrich Miescher Institute for Biomedical Research, "Microsoft's ClearType Font Collection: A Fair and Balanced Review", "Philosophies of Form in Seriffed Typefaces of Adrian Frutiger", "Custom Fonts and Custom Typeface Engine", "Akira Kobayashi, Linotype type director", Adrian Frutiger Dies at 87; His Type Designs Show You the Way, Font Designer – Adrian Frutiger – Adrian Frutiger Remembered, "Frutiger honored with prestigious typography award", TDC2 2006 : Winning Entries TDC2 awards page, "Adrian Frutiger develops watch dials for Ventura", Publications by and about Adrian Frutiger, Postage stamp designed by Adrian Frutiger, 'Portrait with word' of Adrian Frutiger by Mark-Steffen Goewecke, Philosophies of Form in Seriffed Typefaces of Adrian Frutiger, https://en.wikipedia.org/w/index.php?title=Adrian_Frutiger&oldid=995416163, People from Interlaken-Oberhasli District, Articles with dead external links from June 2017, Articles with permanently dead external links, Short description is different from Wikidata, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Apollo (1962): created for Monotype, somewhat similar to. Biographie o. Adrian Frutiger. Retrouvez Adrian Frutiger - Typefaces: The Complete Works et des millions de livres en stock sur Amazon.fr. Frutiger was born on May 24, 1928 in the town of Interseen, near Interlaken and about 60 kilometers southeast of the city of Bern, Switzerland. Frutiger Arabic (2007): designed by Lebanese designer Nadine Chahine in consultation with Frutiger. See also Un an plus tard Albert Boton le rejoint au sein de la fonderie Deberny & Peignot. This article has been rated as Start-Class VBF42? Frutiger had been considering creating such a design for many years before its release. September 2015 in Bremgarten bei Bern) war ein Schweizer Schriftgestalter. Adrian Frutiger has 23 books on Goodreads with 930 ratings. Armin Hofmann étudie entre 1937 et 1939 à l'école des arts et métiers (Kunstgewerbeschule) de Zurich, puis, de 1938 à 1942, effectue un apprentissage de lithographe à Winterthour [2]. Mappe für Farbenfabrik. After initially planning to train as a pastry chef, Frutiger secured an apprenticeship at the Otto Schlaefli printing house in Interlaken. Adrian Frutiger has been listed as a level-5 vital article in People, Artists. * 1928 Interlaken/Schweiz - lebt in Bremgarten bei Bern. Récompenses . Adrian Frutiger, nado en Unterseen o 24 de marzo de 1928 e fianado en Bremgarten bei Bern o 10 de setembro de 2015, foi un tipógrafo suízo.Creador das tipografías Univers e Frutiger, está considerado un dos máis influentes do século XX.. Traxectoria. His career spanned the hot metal, phototypesetting and digital typesetting eras. [41] While Frutiger continued to be involved in adaptations and expansions of pre-existing families and smaller projects, he described Didot in 1998 as his "last typeface design".[7]. [23][24], Univers attracted attention to Frutiger's work outside continental Europe, and he was commissioned by Monotype to create Apollo, their first typeface specifically created for phototypesetting, which was released in 1964.[6][25]. 1973. Adrian Frutiger nous parle des faits marquants qui ont déterminé sa vie. Nami (2006): a playful unicase sans. Adrian Frutiger entraîne le lecteur à la découverte de la genèse des tracés pertinents élémentaires et de l'évolution des signes dans la vie des hommes, à travers les millénaires et les cultures, et ce que nous en faisons aujourd'hui : comprendre et concevoir un signe, la fixation de la langue par le signe, l'évolution du signe en un symbole, en une marque, en un signal. [36] He also designed a slab serif font for the Centre Georges Pompidou. BRANCHER. [17][18], Charles Peignot, of the Paris foundry Deberny et Peignot, recruited Frutiger based upon the quality of the illustrated essay Schrift / Écriture / Lettering: the development of European letter types carved in wood, Frutiger's final project at the Kunstgewerbeschule Zürich. In the Univers font, Frutiger introduced his two-digit numeration; the first digit (3 though 8) indicates the weight, "3" the lightest, "8" the heaviest. "[48], These modifications were not universally considered improvements: Frutiger regretted allowing Linotype to substitute a modish 1990s true italic (not drawn by Frutiger) onto Frutiger Next instead of the sharper oblique Frutiger preferred throughout his career. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. Gravé au diamant, 1967 Spouse (2) Texte imprimé et livre numérique (9) Documents iconographiques (1) Localisation. Adrian Frutiger [.mw-parser-output .IPA a{text-decoration:none}ˈfruːtɪɡər] (* 24. [45] Nami, an uncial design Frutiger had been considering since 1992, followed in 2007. Peter Gut, une œuvre multiple naviguant entre la caricature, le dessin de presse et l’illustration pour enfants, avec l’humour en toile de fond. [7], Frutiger war zweimal verheiratet. In this book, Frutiger discussed his entire career and his completed and abandoned projects. Biographies. Parts of this design were finalised by Linotype's team; it was based on an alphabet drawn by Frutiger on a 1992 Christmas card. In addition, Charles Peignot set Frutiger to work upon converting extant typefaces for the new phototypesetting Linotype equipment.[6][20]. This is an unofficial fan page, and is not affiliated with Adrian Frutiger, his management or his personal assistant. Atelier Frutiger + Pfäffli, Arcueil, FR. 1952 wurde er Mitarbeiter der Pariser Schriftgiesserei Deberny & Peignot, 1962 gründete Frutiger sein eigenes Grafikatelier in Arcueil bei Paris, zusammen mit Bruno Pfäffli und André Gürtler. ", For the Fondation Frutiger he created a set of symbols as an abstract presentation of the Foundation's work. Fretz in Zürich, Switzerland. In 1949 he transferred to the Kunstgewerbeschule Zürich, where he studied under Walter Käch, Karl Schmid and Alfred Willimann until 1951. Mai 1928 in Unterseen; † 10. Contemporary Swiss graphic designer, typographer and type designer of imagination and consummate craftsmanship, associated with Deberny & Peignot, Bauer and Linotype. [7], Adrian Frutiger was born in Unterseen, Canton of Bern, the son of a weaver. His interest in sculpturing was not met with very encouraging views by his father and teachers. Frutiger war der Sohn eines Handwebers. Icone (1980): a wedge serif design. Raph Levien described as a "Frutiger trademark" his common use of an "a" where the loop makes a horizontal line at the top on meeting the vertical. [13][14] They had two daughters, who both experienced mental health problems and committed suicide as adolescents. Adrian Frutiger wird 1928 in Unterseen bei Interlaken geboren. "[50] Frutiger commented on the italic that he felt Univers needed to be "snappy" and that it added character. 1973. Frutigers 1978 erschienenes Buch Der Mensch und seine Zeichen gilt als Standardwerk zur Zeichentheorie für die praktische grafische Anwendung, zum Beispiel für die Gestaltung eines Logos. Januar 2021 um 15:14 Uhr bearbeitet. After this, he attended the Kunstgewerbeschule (College of Technical Arts) in Zurich for three years. Adrian Frutiger. [37], Frutiger's 1984 typeface Versailles is an old-style serif text with capitals like those in the earlier Président. Adrian Frutiger *1928 à Unterseen bei Interlaken †2015 à Bremgarten bei Bern. The design failed to attract attention and was withdrawn from sale after a few years. He was also a teacher, author and specialist in the language of graphic expression and—since his career spanned metal,… He is a composer and production designer, known for Sennentuntschi (2010), Der Büezer (2019) and Tatort (1970). In 1956, he designed his first-of-three, slab-serif typefaces — Egyptienne, on the Clarendon model; after Univers, it was the second, new text face to be commissioned for photo-composition. Adrian Frutiger's self-named typeface is used for Swiss road signs. Daneben gestaltete Frutiger zahlreiche weitere Schriften, wie die Avenir, Centennial, Iridium, Meridien und Serifa. 3 Adrian Frutiger (1928-2015), biographie présentée p. 71-74; 1 Le Museum fur Gestaltung de Zurich présentait, de novembre 2016 à mars 2017, l’exposition Les Suisses de Paris, retraçant le parcours de graphistes suisses venus s’installer à Paris après la Seconde Guerre mondiale. Adrian Frutiger. Sie realisierte über zehn weitere Dokumentarfilme, davon mehrere über schweizerische Persönlichkeiten des 20. It is based on the Kufi style. [72], He also designed a word mark for the National Institute of Design in Ahmedabad, India. This page was last edited on 20 December 2020, at 22:39. 1950 — Federal department of the Interior Prize, Bern, Switzerland, 1971 — Silver medal in competition for "Most Beautiful Swiss Books" with, 1974 — Honoured with a coat of arms by the city of Interlaken, Switzerland, 1984 — Paul-Haupt Prize from the city of Bern, Switzerland, 1986 — The Gutenberg Prize of the City of Mainz (Germany), 1987 — Gold Medal of the Type Directors Club of New York. Mai 1928 in Unterseen; † 10. Get this from a library! 13.09.2015 - Posters about swiss typedesigner Adrian Frutiger (1928 - 2015) and his typefaces. [30][31], In the 1970s, Frutiger designed Icone, a wedge-serif design with mild stroke modulation, which has many similarities in basic letter structure to Frutiger, and in overall effect to Albertus. Le Museum fur Gestaltung de Zurich présentait, de novembre 2016 à mars 2017, l’exposition Les Suisses de Paris, retraçant le parcours de graphistes suisses venus s’installer à Paris après la Seconde Guerre mondiale. Folgende Schriften wurden von Adrian Frutiger entwickelt: Todesdatum 10. Through his later years, Frutiger collaborated with co-authors Heidrun Osterer and Philipp Stamm on an extensive autobiography, Typefaces: the Complete Works (2008, republished 2014). In Interlaken he served an apprenticeship as a compositor at Schäfli, a printer. A calligraphic, informal, script face, Ondine ("wave" in French), also was released in 1954. Adrian Frutiger zählt zu den wichtigsten Schriftgestaltern des 20. [38], In 1988, Frutiger completed the family Avenir. I didn't have the strength and patience anymore. September 2015 gemäss Gemeindeverwaltung Bremgarten bei Bern vom 16. Charles Peignot envisioned a large, unified font family, that might be set in both the metal and the photo-composition systems. Adrian Frutiger, star de la typographie, en 1999. La librairie. Biographie Biographie Suisse allemand né en 1928 à Unterseen près d'Interlaken, et aujourd'hui retiré près de Berne, Adrian Frutiger est l'un sinon le plus grand typographe de notre temps, avec Hermann Zapf. Biographie Études. Adrian Frutiger. The second digit indicates the face-width and either roman or oblique. 1955 heiratete er Simone Bickel, die 2008 verstarb. Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. (Identifont, Fonts Designed by Adrian Frutiger) Some of his most famous fonts are: Frutiger, Meridien, the OCR series, Univers, and Serifa, to name a few. [10] Students there studied monumental inscriptions from Roman forum rubbings. See more ideas about adrian, typography, typeface. Biographie. In 1965, Frutiger created VBF42, a proprietary type face for Vanguard Business Forms, a U.S. Company that specialized in documents for the real estate and financial service industry. 1970 . For more than 45 years the Swiss type designer Adrian Frutiger, born in 1928, has been a hugely influential figure in typography. In 1987 he was awarded the TDC Medal, the award from the Type Directors Club presented to those “who have made significant contributions to the life, art, and craft of typography”. [28][29], Frutiger is an amalgamation of Univers tempered with organic influences of the Gill Sans, a humanist sans-serif typeface by Eric Gill, Edward Johnston's type for the London Transport, and Roger Excoffon's Antique Olive: like Univers it uses a single-story 'g', unlike the double of Gill Sans, and has square dots on the letters, but has a generally humanist design with wide apertures to increase legibility, decided on after legibility research. Westside (1989): a complete departure, a Wild West-themed slab serif on the French Clarendon model. Das Buch wurde in sieben Sprachen übersetzt und veröffentlicht. Cette maison est un ciel Une spiritualit© de la vie. Disappointed by the standard of mental health care at the time, Frutiger and his wife founded the Fondation Adrian et Simone Frutiger to fund psychology and neuroscience research and developments in mental health support. Biographie. [8] As a boy, he experimented with invented scripts and stylized handwriting in a negative reaction to the formal, cursive penmanship then required by Swiss schools. Voir tous les livres de Adrian Frutiger. Stiftung Schrift und Typographie, Heidrun Osterer, Philipp Stamm (Eds. Adrian Frutiger. Impressed by the success of the Bauer foundry's Futura typeface, Peignot encouraged a new, geometric sans-serif type in competition. [40] Frutiger's 1991 release Linotype Didot was an elegant revival of the Didot typeface adapted to display use, which remains popular; it is the version of Didot bundled with OS X, for example. Frutiger's wood-engraved illustrations of the essay demonstrated his skill, meticulousness, and knowledge of letter forms. To maintain unity across the 21 variants, each weight and width, in roman (upright) and oblique (slanted), was drawn and approved before any matrices were cut. Frutiger disliked the regimentation of Futura, and persuaded Peignot that the new sans-serif should be based on the realist (neo-grotesque) model. Adrian Frutiger was born on January 30, 1971 in Zurich, Switzerland. The new projects took advantage of improved digital production methods to create a wider range of styles and improved hinting for onscreen display. Adrian Frutiger Adrian Frutiger was born on May 24, 1928 and is a very famous Swiss typographer who has created more than 60 fonts in his career. He was one of the most important type designers of his generation, having created some 40 fonts, many of them still widely used today. (Identifont, Fonts Designed by Adrian Frutiger) Some of his most famous fonts are: Frutiger, Meridien, the OCR series, Univers, and Serifa, to name a few. Based on sketches from the 1980s and developed in collaboration with Akira Kobayashi. Seine erste Frau, Paulette Flückiger, starb 1954 nach der Geburt des gemeinsamen Sohns Stéphane. Dina Blanger une pianiste de talent qui consacra sa vie. Adrian Frutiger passed away in the nursing home at Bremgarten/Berne (Switzerland) in the night of 10 September 2015, age 87 and 3 month. Briefpapier. Adrian Frutiger Famous type designer born in 1928 in Unterseen, Switzerland, who died in September 2015. Biographie d'Adrian Frutiger Adrian Frutiger, on l'aura compris, est l'un des plus grands typographes de notre temps. He later also created Frutiger Stones (no connection to Frutiger), a playful design inspired by the shapes of pebbles. His career spanned the hot metal, phototypesetting and digital typesetting eras. Er zählt zu den massgebenden Schöpfern der Schweizer Typografie Leben. Adrian Frutiger entraîne le lecteur à la découverte de la genèse des tracés pertinents élémentaires et de l'évolution des signes dans la vie des hommes à travers l'histoire et ce que nous en faisons aujourd'hui : prendre et concevoir un signe, la fixation de la langue par le … 1960-1970. Univers was reissued as Linotype Univers with sixty-three variants; Frutiger was reissued as Frutiger Next with additional weights. Schweizerische Stiftung Schrift und Typographie, Heidrun Osterer, Philipp Stamm (Hrsg. François Boltana aura traversé comme un météore la galaxie typographique. Adrian Frutiger (1928-2015), is of Swiss origins and one of the most influential typeface designer who contributed greatly to computerized typography in the latter part of the twentieth century and into the 21st.His other held talents were writing and wood engraving. Until his death, he lived in Bremgarten bei Bern. Adrian Frutiger was born in Unterseen near Interlaken, Switzerland, in 1928. [26][27], In 1974, the Mergenthaler Linotype Company commissioned Frutiger to develop a print version of Roissy with improvements such as better spacing, which was released for public use under the name of Frutiger in 1976. Frutiger intended the design to be a more human version of geometric sans-serif types popular in the 1930s such as Erbar and Futura, and it is named Avenir ("future" in French) as a reference to the latter.[39]. [Adrian Frutiger; Heidrun Osterer; Philipp Stamm; Fondation Suisse Caractères et Typographie.] Seit 2003 werden Verkehrsschilder in der Schweiz mit der Schriftart ASTRA-Frutiger Standard und ASTRA-Frutiger Autobahn beschriftet. Mappe für Farbenfabrik. ): Diese Seite wurde zuletzt am 14. In 1955, Méridien, a glyphic, old-style, serif text face was released. Er zählt zu den massgebenden Schöpfern der Schweizer Typografie. Adrian Frutiger zählt zu den wichtigsten Schriftgestaltern des 20. Mar 17, 2016 - Explore Kate Stone's board "Adrian Frutiger", followed by 260 people on Pinterest. [9], At the age of sixteen, he was apprenticed for four years, as a compositor, to the printer Otto Schlaeffli in Interlaken, also taking classes in woodcuts and drawing at the Gewerbeschule in Bern under Walter Zerbe, followed by employment as a compositor at Gebr. Meier (the second important type artist in Switzerland), we’re losing with Adrian Frutiger a humble person, a genius. [Biografie Adrian Frutiger] Adrian Frutiger. Werke. His father was a weaver. Schweiz. Ab 1992 lebte er in Bremgarten bei Bern.[6]. Adrian Frutiger-- Caractères : L'œuvre complete. Druckvorlage Wortmarke. Adrian Frutiger (født 24. maj 1928 i Unterseen i kantonen Bern, død 12. september 2015 samme sted) var en schweizisk grafisk designer, og en af de mest indflydelsesrige typografer i 1900'tallet. [5] Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Almost monoline, but with a gentle flare of strokes. Until his death, he lived in Bremgarten bei Bern. Après son service militaire il apprend le métier au sein de cette équipe et suit, à l’école Estienne, les cours d’Adrian Frutiger. He is best known for creating the Univers and Frutiger typefaces. [22] The response to Univers was immediate and positive; he claimed it became the model for his future typefaces. Versailles is a Latin design with sharp wedge serifs, based on a popular genre in 19th-century printing. Adrian Frutiger, est l'un des plus grands typographes de notre temps. Adrian Frutiger (24 mai 1928 à Unterseen, près de Interlaken, en Suisse) est créateur de caractères et de logotypes.Il a été engagé par Charles Peignot à la fonderie Deberny et Peignot où il a travaillé avec Ladislas Mandel, Albert Boton et d'autres, puis en indépendant avec la société Linotype, dont ses caractères contribuèrent à asseoir le succès. [11][12] He married the theologian Simone Bickel in 1955. [19] At Deberny & Peignot foundry, Frutiger designed the typefaces Président, Méridien, and Ondine. Logoentwürfe (Konvolut) [Brancher] Adrian Frutiger. Seine zwei bekanntesten Schriften sind die serifenlose Linear-Antiqua Univers und die für den Pariser Flughafen Charles de Gaulle entworfene Roissy, eine frühe Form der Frutiger. En 1993, stimulé par la presse graphique internationale, Frédéric Bortolotti crée une revue qui porte sur le design un regard différent des rares autres magazines français, tels que BàT ou Signes.Transversalité est le mot d’ordre : urbanisme, typographie, mode, littérature, photographie, illustration, poésie, danse, sciences, vidéo, etc. [4] Nach einer Schriftsetzerlehre bei der Interlakner Buch und Kunstdruckerei Otto Schlaefli (heute Verlag Schlaefli & Maurer AG)[5] und einem Studium an der Kunstgewerbeschule Zürich (1949–1951) bei Alfred Willimann und Walter Käch (Diplomarbeit: Die europäische Schriftentwicklung vom Griechischen Lapidar-Alphabet bis zu Renaissance-Schriften) arbeitete Frutiger zunächst als Grafiker in Zürich. Adrian Frutiger was born on May 24, 1928, in Unterseen, Canton of Bern to weaver parents. It was marketed with a design inspired by the periodic table. In 1991, Frutiger finished Vectora, a design influenced by Morris Fuller Benton's type faces Franklin Gothic and News Gothic. Après son enfance au milieu de sa famille, aux environs d'Interlaken, du lac de Thoune et du lac de Brienz, le jeune Adrian apprend la typographie dans une petite imprimerie d'Interlaken. 1943-1998. The "way-finding-signage" commission brief required a typeface both legible from afar and from an angle. After an apprenticeship as a compositor, he continued his training in type and graphics at the Zurich School of Arts and Crafts (Kunstgewerbeschule) from 1949 to 1951, being taught by two renowned professors, Alfred Willimann and Walter Käch. If you can improve it, please do. The typeface shows inspiration by Nicolas Jenson, and, in the Méridien type, Frutiger's ideas of letter construction, unity, and organic form, are first expressed together. Swiss typographer Adrian Frutiger, designer of typefaces including Univers, Avenir and the eponymous Frutiger, has died. Votre pte client.